Indian cinema has always been known for its diverse and complex portrayal of relationships, particularly when it comes to family dynamics and romance. Among the many iconic relationships depicted on the silver screen, the bond between a father (baap), daughter (beti), and mother (maa) has been a staple of Indian films for decades. These relationships have been explored in various ways, often influencing the narrative and character development in many movies. In this article, we'll delve into the evolution of baap, beti, maa relationships and romantic storylines in Indian cinema, highlighting notable films and trends that have shaped this narrative.

However, movies like Taare Zameen Par (2007) and 3 Idiots (2009) reemphasized the importance of family relationships. In Taare Zameen Par , the bond between the father, Ram Shankar Nikumbh, and his son, Ishaan, is a highlight of the film. The movie showcases the struggles of a child with dyslexia and the supportive role of his father. Similarly, in 3 Idiots , the relationships between the three friends, Rancho, Farhan, and Raju, and their families are crucial to the narrative.

The 1990s and 2000s saw a significant shift in Indian cinema, with romantic storylines becoming more central to the narrative. Films like Dilwale Dulhania Le Jayenge (1995) and Kuch Kuch Hota Hai (1998) focused on the romance between leads, often relegating the baap, beti, maa relationships to the background.

In Dangal , the relationship between the father, Mahavir Singh Phogat, and his daughters, Geeta and Babita, is a central theme. The film showcases the struggles of a father who wants his daughters to become wrestlers, despite societal norms. The movie also explores the romance between Geeta and her coach, but the focus remains on the family dynamics.