The answer is a resounding no—if you lean into the femme aspect.
So, wash your hair. Let it shrink. Let it coil. Pin a gold flower behind your ear. Walk out the door without a single synthetic strand on your body. becoming femme natty exclusive
It is not simply a hairstyle choice. It is a homecoming. It is a political act. It is a daily ritual of unlearning. For the woman who decides to walk this path, the journey is rarely just about hair. It is about stripping away the layers of assimilation, exposing the rawest version of yourself to the world, and refusing to apologize for the volume, the texture, or the gravity-defying crown you were born with. The answer is a resounding no—if you lean
This is the hardest part. Exclusive means you have a monogamous relationship with your natural texture. No heat-trained ends. No "silk presses for special occasions." No wigs for convenience. No braids with synthetic hair that hide your roots. Exclusive means that when the world sees you, they see your hair—growing out of your scalp, in its purest state. It is a vow of fidelity to your follicles. Part II: Why Go Exclusive? The Case for Radical Texture Fidelity Why would a modern woman, with access to every extension and smoothing treatment on the market, choose to limit herself? Let it coil
This is your texture. This is your throne. Are you on the journey to becoming femme natty exclusive? Share your transition story in the comments below. And remember: Your edges are perfect. Do not let anyone tell you otherwise.
You might hear, "You look so much more professional with your hair straight." You must develop a script. Try: "I appreciate the suggestion, but this is my natural texture, and I expect the same respect given to straight hair."
Solo
J.S. Bach, Allemande
J.S. Bach, BWV 1007 Cello Suite no.1
J.S. Bach, Courante
J.S. Bach, Gigue
J.S. Bach, Menuett I
J.S. Bach, Menuett II
J.S. Bach, Prelude
J.S. Bach, Sarabande
J.L. Duport, 21 etuden for solo cello
A.Franchomme, 12 Caprices op.7
A.Franchomme, 12 etuden op.35
D. Popper, etuden op.76
With Orchestra
L. Boccherini, Cello Concerto in B flat Major G.482
M. Bruch, Kol Nidrei op.47
G. Faure, Elegie op.24
C. Saint Saens, Allegro Appasionato op.43
C. Saint Saens, cello Concerto no.1 in a minor
C. Saint Saens, The Swan
A. Vivald, Concerto in A-Major for violin and cello, RV 546
A. Vivaldi, Concerto in g-minor for two cello, RV 531
With Piano
J.S. Bach, Sonata no.2, Viola da Gamba, BWV 1028 – Adagio – Allegro
B. Bartok, Roumanian Folk Dances (arr. by Luigi Silva)
G. Faure, Sicielienne op.78
F. Francoeur, Cello Sonata no.4 in E-Major
G. Goltermann, Etude-Caprice op.54. no.4
D. Popper, Tarantelle op.33
D. Schostakovich, from «The Gadfly Suite»- Tarantella op.97
W. H. Squire, Bouree op.24
P. Tchaikovsky, Nocturne no.4 op.19