About Presidio Golf Course

Located within a national park, San Francisco’s Presidio Golf Course is renowned for its spectacular forest setting, as well as its challenging play. Once restricted to military officers and private club members, today the 18-hole course is open to the public. Presidio G.C. offers a full service restaurant, a driving range and practice facility, and an award winning golf shop that offers the latest in golf equipment and apparel. Presidio Golf Course is a contributing feature of the Presidio’s National Historic Landmark status. It is also notable for its environmentally sensitive management practices.

The Course

God shaped this land to be a golf course. I simply followed nature.
– John Lawson, designer of the first course

Presidio Golf Course is built on a variety of terrains. Holes are constructed over a base of adobe clay, rock, sand, or a combination of all three. The early Presidio Golf Course was short, but challenging. Players were often shocked by the level of difficulty and natural obstacles. Lawson Little, stamped by Golf Magazine as the greatest match player in the game’s history, said, “I have played the best courses here and abroad, but none more enjoyable than my home course of Presidio. I learned how to strike the ball from every conceivable lie. Presidio demands accuracy, but being a long hitter, I also had to learn how to hook or fade around trees. I had the reputation of being a strong heavy-weather golfer; well, Presidio has powerful wind, rain, fog, sudden gusts, and sometimes all four on any given round.”

Environmental Sensitivity

Presidio Golf Course has been recognized as a leader in environmentally sensitive golf course management, winning the 2001 “Environmental Leader in Golf Award”. Since 2000, the course has reduced overall pesticide use by approximately 50%, and currently uses approximately 75% less pesticide than private courses in San Francisco. The course also received certification from Audubon International as a partner in the Audubon Cooperative Sanctuary Program in 2003.

The course uses an innovative form of pest management and turf management called compost tea. “Compost tea” is a solution made by soaking compost in water to extract and increase the beneficial organisms present in the compost. It is then sprayed over the greens. The result is turf with longer root growth and less plant disease fungi.

Sekunder 2009 Short Film Work May 2026

As Lars begins to document the phenomenon, he realizes that the temporal gap is growing. By the middle of the film, his reflection is a full five seconds behind. The horror escalates when he looks at his wife in the hallway mirror; her reflection moves in real time . The lag is unique to him. The film poses an existential question: What happens when the mirror stops following your commands? And what is the "thing" in the glass waiting for? Director Jonas Kvist Jensen (a fictional placeholder for the sake of this analysis, representing the anonymous talent of the 2009 indie scene) employs a rigorous visual strategy. In the Sekunder 2009 short film work , the camera is almost never handheld. Every shot is static, locked down on a tripod, mirroring the rigid, unyielding surface of the glass itself.

For those unfamiliar with the title, Sekunder (Danish for "Seconds") is a minimalist psychological thriller that exemplifies the power of high-concept, low-budget filmmaking. While it may not have the mainstream recognition of Pixar’s shorts or the Oscar-bait prestige of live-action dramas, Sekunder stands as a pivotal work in the Nordic short film circuit of the late 2000s. This article dives deep into the , analyzing its narrative structure, directorial techniques, sound design, and why it remains a reference point for film students studying suspense. The Premise: A Life Measured in Heartbeats The brilliance of Sekunder lies in its terrifyingly simple premise. The film follows a middle-aged accountant, Lars, who discovers a bizarre anomaly in his daily routine. Every morning, as he shaves in front of his bathroom mirror, he notices that his reflection is exactly two seconds slower than his actual movements. At first, he dismisses it as a trick of the light or fatigue.

As of 2025, Sekunder is periodically available on curated short film platforms such as Vimeo Staff Picks Archives and The Danish Film Institute’s (DFI) streaming service . It occasionally resurfaces on YouTube via official uploads during Scandinavian film retrospectives. Because it relies on visual storytelling with very little dialogue, it requires no subtitles to enjoy the creeping terror. Conclusion: Why Sekunder Matters The Sekunder 2009 short film work is a testament to the idea that limitations breed creativity. With a single location (a bathroom), one actor, and a budget that likely wouldn't cover craft services on a Marvel movie, the filmmakers created a universal nightmare. sekunder 2009 short film work

In the vast landscape of cinematic history, the short film is often relegated to the role of a calling card—a stepping stone for directors en route to feature-length glory. However, every so often, a short film transcends its limited runtime to become a standalone work of art that haunts the viewer for days. One such hidden gem is the 2009 Danish short film Sekunder .

Sekunder 2009 short film work , Danish short film, psychological horror short, Nordic cinema 2009, Jonas Kvist Jensen short films, short film sound design analysis. As Lars begins to document the phenomenon, he

Jensen uses the "shot/reverse shot" technique not between two people, but between a man and his reflection. This creates a unique spatial dissonance. The audience is forced to scan the frame—looking first at the real Lars, then quickly to the mirror-Lars to verify the delay. This constant eye movement induces a subtle, physical anxiety.

Lars is not fighting a monster; he is fighting the fear that his own identity is fragmenting. The lag represents the dissociation many feel in automated, middle-class life. He goes to work, he pays taxes, he sleeps. But the mirror shows him that his "self" is no longer tethered to his body. The argues that the true horror is not death, but the decoupling of mind from physical reality. The lag is unique to him

How does it hold up today? Brilliantly. In an era of bloated streaming series and over-explained plot lines, the ambiguity of Sekunder is refreshing. It respects the audience's intelligence. The 2009 short film work is often compared to David Lynch’s Premonitions Following an Evil Deed or the short films of David Lowery for its poetic dread.

Presidio Golf Course, A National Historic Landmark

A National Historic Landmark Since 1962

Originally designed by Robert Wood Johnstone, the golf course was expanded in 1910 by Johnstone in collaboration with Wiliam McEwan, and redesigned and lengthened in 1921 by the British firm of Fowler & Simpson.

LEARN MORE

As Lars begins to document the phenomenon, he realizes that the temporal gap is growing. By the middle of the film, his reflection is a full five seconds behind. The horror escalates when he looks at his wife in the hallway mirror; her reflection moves in real time . The lag is unique to him. The film poses an existential question: What happens when the mirror stops following your commands? And what is the "thing" in the glass waiting for? Director Jonas Kvist Jensen (a fictional placeholder for the sake of this analysis, representing the anonymous talent of the 2009 indie scene) employs a rigorous visual strategy. In the Sekunder 2009 short film work , the camera is almost never handheld. Every shot is static, locked down on a tripod, mirroring the rigid, unyielding surface of the glass itself.

For those unfamiliar with the title, Sekunder (Danish for "Seconds") is a minimalist psychological thriller that exemplifies the power of high-concept, low-budget filmmaking. While it may not have the mainstream recognition of Pixar’s shorts or the Oscar-bait prestige of live-action dramas, Sekunder stands as a pivotal work in the Nordic short film circuit of the late 2000s. This article dives deep into the , analyzing its narrative structure, directorial techniques, sound design, and why it remains a reference point for film students studying suspense. The Premise: A Life Measured in Heartbeats The brilliance of Sekunder lies in its terrifyingly simple premise. The film follows a middle-aged accountant, Lars, who discovers a bizarre anomaly in his daily routine. Every morning, as he shaves in front of his bathroom mirror, he notices that his reflection is exactly two seconds slower than his actual movements. At first, he dismisses it as a trick of the light or fatigue.

As of 2025, Sekunder is periodically available on curated short film platforms such as Vimeo Staff Picks Archives and The Danish Film Institute’s (DFI) streaming service . It occasionally resurfaces on YouTube via official uploads during Scandinavian film retrospectives. Because it relies on visual storytelling with very little dialogue, it requires no subtitles to enjoy the creeping terror. Conclusion: Why Sekunder Matters The Sekunder 2009 short film work is a testament to the idea that limitations breed creativity. With a single location (a bathroom), one actor, and a budget that likely wouldn't cover craft services on a Marvel movie, the filmmakers created a universal nightmare.

In the vast landscape of cinematic history, the short film is often relegated to the role of a calling card—a stepping stone for directors en route to feature-length glory. However, every so often, a short film transcends its limited runtime to become a standalone work of art that haunts the viewer for days. One such hidden gem is the 2009 Danish short film Sekunder .

Sekunder 2009 short film work , Danish short film, psychological horror short, Nordic cinema 2009, Jonas Kvist Jensen short films, short film sound design analysis.

Jensen uses the "shot/reverse shot" technique not between two people, but between a man and his reflection. This creates a unique spatial dissonance. The audience is forced to scan the frame—looking first at the real Lars, then quickly to the mirror-Lars to verify the delay. This constant eye movement induces a subtle, physical anxiety.

Lars is not fighting a monster; he is fighting the fear that his own identity is fragmenting. The lag represents the dissociation many feel in automated, middle-class life. He goes to work, he pays taxes, he sleeps. But the mirror shows him that his "self" is no longer tethered to his body. The argues that the true horror is not death, but the decoupling of mind from physical reality.

How does it hold up today? Brilliantly. In an era of bloated streaming series and over-explained plot lines, the ambiguity of Sekunder is refreshing. It respects the audience's intelligence. The 2009 short film work is often compared to David Lynch’s Premonitions Following an Evil Deed or the short films of David Lowery for its poetic dread.

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