Xconfessions Vol. 34 -erika Lust Films- 2023 We... May 2026

This scene includes a moment of negotiation rarely seen on screen. Before intercourse, the characters explicitly discuss boundaries and comfort. It is not a killjoy; it is wildly sexy because the trust is palpable. Scene 4: Riding the Night Train Director: Erika Lust

Sanchez directs a married couple (played by real-life partners ) trying to reconnect. The scene opens with the chaos of bedtime—spilled milk, a crying toddler, a missing sock. Once the door closes to the children’s room, the silence is deafening. XConfessions Vol. 34 -Erika Lust Films- 2023 WE...

In a brilliant move, the foley (sound effects) for Volume 34 were recorded live on set. The squelch of skin, the rustle of sheets, and the breathing are raw. There is no cheesy synth soundtrack. Instead, composer Maria Tellez provides a minimalist score of cello drones that only enter during the narrative gaps, never during the sex. This scene includes a moment of negotiation rarely

When the customer (played by adult indie darling ) enters, the chemistry is established through eye contact locked over a pie counter. The sex scene, when it arrives, is shot entirely in natural light inside the diner’s back office. It is frantic, whispered, and desperately polite—a fascinating juxtaposition in erotic cinema. Scene 4: Riding the Night Train Director: Erika

Rather than jumping into acrobatic sex, the couple showers together. There is a long, unbroken three-minute shot of them just washing each other’s backs. The intimacy is uncomfortable in its realism. When they finally move to the bedroom, the sex is clumsy. Knees knock. Someone laughs. They stop to adjust a pillow.

Perhaps the most visually striking piece, this segment flips the male gaze on its head. A male painter (trans actor ) is commissioned to paint a female executive ( Zara DuRose ). Initially, the dynamic is clinical. But as the male painter removes his shirt to mix oils, the executive realizes she holds the power.